For the past few years, and during stages 1
and 2 of this course I have been using my own experiences and emotions as
themes to drive my own work, i.e. self-identity, femininity, sex, love,
personal experience and vulnerable states. I thought these subjects were
suitable because they have been relevant in my life and feel I can produce more
personal work of relevance to other people. As I continuously have opinions, emotions and
experiences, I feel these themes will sustain me throughout the project. I also want to push myself out of my comfort
zone with this project.
So far, I have explored my ideas mainly
through painting, drawing and photography. I now want to expand the range of
media to include film, sound and installation. I feel this will make my work
more interesting by adding new elements and greater depth, and revitalising my
approach to the theme of my work, making it less likely that I will run out of
ideas.
I think an installation will be challenging
to produce because of the little time I have to do it in, so I may have to make
some sacrifices in order to meet the deadline.
I found my starting point in Tracey Emin’s
work; she gave me permission as a contemporary artist to explore themes that
were extremely personal and essentially private. Frank Auerbach’s work
suggested to me that art could be made out of the struggle with materials, but
it was Louise Bourgeois who suggested a rationale for my work- “It is necessary
to recreate the past, in order to get rid of it”- and possibly a format for my
final project. Other artists who are relevant in my work include Hannah Perry,
Rosa Barba, Christian Marclay and Bruce Nauman.
I intend to research my project by making
drawings, paintings from observation, using myself and other models as a
starting point. I also intend to visit galleries investigating work relevant to my project.
I have already detailed some of the
techniques, materials and processes I intend to use above. At this stage, I’m
not sure what form my final piece will take, but, I envisage something that
responds to the cell structures of Bourgeois. The 'cell'/installation will
become one place I could put each memory and experience into, instead of
allowing them to be scattered around in my mind.
My initial thought was to find a ready-made
structure like a cage, but I am aware that it might be more appropriate to
build a new structure, possibly out of salvaged components. I am anticipating a
structure approximately two metres square. This would be manageable within the
context of a group exhibition, particularly given that space will be at a premium.
I will evaluate my work by presenting it to
tutors and my peers, and by taking on board their comments. I will use my blog
as a way of reflecting on my thought processes in relation to my contextual
research.
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